chenovick.com

Glitter and Be Gay Guest Soloist: Megan Chenovick

Written By Adam Conley for Flying House Productions

Local actress and singer Megan Chenovick adds an extra dash of sparkle to a concert that already promises to “Glitter and Be Gay” on every level.

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Megan Featured in 'Follies'

8 PM Saturday, June 5, 2010
2 PM Sunday, June 6, 2010
At the Moore Theatre in Seattle

Megan will be playing the role of Young Heidi in the must see musical theater event of the year! Produced by Showtunes Theatre Company, this Sondheim classic smudges the lines between reality and theater...challenging an audience to abandon its illusions, not just about the theater, but life itself.

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'A ... My Name Will Always Be Alice'

April 23rd - May 8th, 2010
Fridays and Saturdays at 8:00 pm
Sundays at 2:00 pm

Mark is currently the Treasurer of Redwood Theatre. On this particular production Mark serves as Set Designer, Technical Director, and Producer. For more information visit http://redwoodtheatre.org

'The Seven Year Itch' by George Axelrod

February 12-27, 2010
Fridays and Saturdays at 8:00 pm
Sundays at 2:00 pm

Mark is currently the Treasurer of Redwood Theatre. On this particular production Mark served as Technical Director. For more information visit http://redwoodtheatre.org

The Color of Coloratura

Federal Way Symphony presents ‘Color of Coloratura’ on Dec. 6th, 2009
The concert will feature lyric soprano Megan Chenovick singing arias from Rossini’s “The Barber of Seville,” Mozart’s “The Magic Flute,” Verdi’s “Rigoletto” and Handel’s “Tornami a vagheggiar.”

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Ninth Annual Festival of New Musicals

Mark and Megan will both appear in...
The Cuban and the Redhead
August 14th,2009 7:30pm
VILLAGE THEATRE - ISSAQUAH
By Robert Bartley & Danny Whitman

REVIEW: Village Theatre's Show Boat a Ship-Shape Success

As Gaylord Ravenal, Richard Todd Adams, last seen locally at the Paramount in the recent run of Phantom of the Opera, easily hits the thrilling high notes Kern wrote for Ravenal, and he is matched vocally by Megan Chenovick, who never allows her Magnolia to be a conventionally simpering heroine, and the pair handle their characters' transition from their twenties into middle age with unforced ease.